Thursday, March 26, 2015
While visiting Tree Fall today we were essentially accosted by a small, middle-aged, very enthusiastic woman, apparently a docent for this particular work of art. As we walked in the door she immediately began to joyfully push other artworks in the park on us.
Do you have the Andy Goldsworthy brochure? You've seen Wood Line? You know about the eucalyptus overtaking the cypress? Of course, you must have the Andy Goldsworthy brochure. And you know about Spire? The For-Site Foundation video? Yes, we have seen it. I offer an inauthentic smile. Young trees will eventually obscure the sculpture. You have the Andy Goldsworthy brochure, right? Okay. Okay. Just let your eyes adjust. I love when you walk in and can't see anything at all and then your eyes adjust and it's like, wow.
But I saw Tree Fall clearly when I walked into the space. It didn't seem at all dark to me. My eyes did not need to adjust. I strain to smile again, looking up at the tree and wondering if she will leave us alone with the art, at all. Ever?
Next she pulls out a large hardcover book and begins rapidly turning pages and recounting all she believes to be highlights of the creation of Tree Fall. There were 40 volunteers! This is his daughter. They mixed clay with hair and straw. She points up. Here's a piece of straw!
Then she begins promoting the Presidio in general. There are these great talks on Thursday evenings, she gushes. There's a play they talked about recently, what was it...Ondine! My husband thinks he knows the play and asks if Ondine is a mermaid. No! Definitely not. She lives in the water, but she is -not- a mermaid. Okay. The play will take place beside the ocean, at the Sutro Baths. Outside! At night! It might be cold, but...
I decide this is her time, not mine. I look into her eyes. She's so excited. She cannot wait to see this play. I forget about Andy Goldsworthy and Tree Fall and leave with a vision of Ondine spotlit in the night fog.
Lithograph of Carlotta Grisi in the Pas de l'ombre from the original production of Ondine, ou La naïade at Her Maejesty's Theatre. London, 1843.